Tuesday, 18 November 2008

"And the world is turning... to a different beat."

So as I mentioned the other day, I've been running/playing in an RP based around an activist blog run by and for Reyvateils. Its purpose as I conceived it was to both explore the legitimate issues raised by this species' creation and situation, and to raise the profile of activism issues within the fandom by getting people to sympathise with the issues through a fandom they were interested in.

Today, I think it actually had that impact on me. Last night, I'd been participating in a thread involving underpaid restaurant workers who were wearing "tip us, we sing" badges (like the ones at Coldstone Creamery) because the hourly wage alone couldn't pay for their life-extending agent, and so they were forced to sell out their song. For Reyvateils, this is a big deal; it's not just vocal noise, there's a big part of their identity and deep inner self expressed when they sing, and it's something that both induces intense emotion in them and drains their energy quite a bit.

Then this morning, a friend posted a blog entry about employees at Starbucks and how she felt bad for them, and how she was trying to be encouraging and pleasant to them and they were really squee about it because she was the only one to have given them nice comments all day. And I just really... felt it, was moved by that, and felt like I wanted to go around being nice to Starbucks employees too (I don't normally drink at Starbucks when on my own, but employees of similar places, I guess). And I think the reason I was able to feel so hyper-aware of how much that must mean to them was because I'd been roleplaying that thread.

You always hear people scoffing at the idea that fiction could ever change someone's attitudes in a positive way (as if that wasn't what the messages in fiction were there for? As if it's all just pretend serving no purpose, even when it's obvious the author is trying to make a statement about how we act in this world?). Whenever you come across anyone acknowledging that fiction might impact a person, it's always regarding the negative aspects of it, how it can desensitise people to violence, to vengeance, to wanton cruelty. I do believe that there are, certainly, fictions that can do that; but I think what goes woefully underrecognised is the power of fiction to make us empathise, which seems like such an obvious thing to say about fiction (it makes us feel for the characters? Really?) yet is rarely thought about in terms of how that might impact how we go about our daily lives.

I felt like the experience of fiction connected me, today, with the lives of people in this world who deserve acknowledgment and respect. And I'm glad for that.

Monday, 17 November 2008

Melody of MetaFalicia!

I suppose that's like the catgirl from Darkstalkers, but aware of her identity as a fictional character? Also, I'm deeply amused that it's been pre-emptively classified as a "Music & Party" game. The idea of games being categorised by the themes of their plot rather than the style of their gameplay is actually really appealing; I mean, Ar Tonelico is about music, very deeply, and so the category is not inaccurate, but I don't really think that's what they meant. I do wonder how that error got made; did someone ask what AT was and one of their collegues said "oh, it's about music and stuff"? Very amused indeed.

Seeing the page up on a major game retailer's site is actually rather nice. It's like... this is real. This is really real, and come January, you'll be able to go into any GameStop and pick it up off the shelves and hold it, and other people who may have never heard of AT will be able to see it, and they might buy it, and things. It's just really squeeful, somehow.

Thursday, 13 November 2008

The wheels of fandom keep on turning...

Hoping to get back to the podfic project eventually while my voice actress recovers from being sick. In the meantime, I've slowly been building up entries on this blog; contributions from Reyvateils, and respectful humans, are welcome.

And I kind of wanted to say more there, but I'm all out of words. There is a fledgling fanwork; enjoy it, and I hope to nurture it and watch it grow into a complex and interesting work of fiction, with the help of some kind contributers.

Tuesday, 11 November 2008

Self-inserts: gotta love 'em.

I never really set out to actively write myself into the AT universe; these guys just kind of grew, organically, which is part of the reason there's two of them. Just thought I'd post them here for posterity: my two original AT characters, Leish and Ayulsa. For those who saw Leish's profile a while ago (all one of you), this is a version 2.0; some things have been tweaked a little.


Leish Enfandria
"Please, everyone, raise your voices in joyous prayer."

Species: Reyvateil (Beta)
Age: 34
Height: 5'4"
Appearance: Pale brown hair usually tied back in a short braid, golden-brown eyes, slightly freckled skin; small, skinny, with boyish features
Magic: Mostly of the Earth element


Leish is the cheerful type, bookish and friendly, known for his slightly formal bearing and his staunch devotion to the Church of Elemia. A Cardinal who treats his job extremely seriously and is given to visions, trances and other mystical experiences at the hands of the Goddesses, he can come off as a little dreamy and spacey at times to those who don't know him well, but his dedication to his work soon disavows most people of that opinion, even if he does leave his personal quarters in a mess and half-eaten sandwiches of his tend to turn up in the strangest of places. Like his partner Vianchiel, he dislikes conflict both philosophically and personally; their shared feelings about helping humanity through peaceful actions are part of why they get along so well.

What almost no one knows is that Leish, despite being male, is actually a Reyvateil, an experiment gone slightly wrong. He was created with a Reyvateil's body, enabling him to use Song Magic, but the song-spirit that entered into him at birth saw itself to be male. Unable to reconcile his appearance with his internal self, he struggled with despair until his creators took pity on him and altered him physically to look like a boy, suggesting that he go out into the world and craft a normal life for himself while forgetting his Reyvateil powers, and offering their sincerest of apologies.

While Leish did leave his creators and join the Elemia Church, having been filled with a sudden sense of spiritual wonder at the world inspired by his newfound happiness, he was never able to quite forget that he was a Reyvateil too, and still frequently feels driven to raise his voice in song. Unfortunately, the physical alterations to his body pretty much ruined his voice permanently, and quite frankly, his singing is painful to listen to. His bad voice doesn't actually keep his magic from being quite powerful, but since it's not pleasant to hear, he shies away from practising it; he considers that even if he were good he'd never want to sing in public anyway, since he'd be even more embarrassed about being exposed as a Reyvateil. He considers the trade to have been worthwhile, even if at times he finds it frustrating.

What's most embarrassing of all for him is that his install port has a really obvious location; it's on his right hand. Naturally, he's never seen in public without gloves of some sort. He tried to train himself to be left-handed so he wouldn't have to be constantly reminded of it, but it didn't work very well, so he just puts up with it these days. If he catches anyone staring at his hands, he gets extremely flustered; everyone by now assumes that he has some kind of skin condition that he'd rather not talk about, or that his hands are shrivelled and deformed due to a sickness, which, since they're quite small even in gloves, doesn't seem unlikely. He's learnt to swallow down his revulsion and shake hands (with his left, which still bothers him due to emotional associations, but at least doesn't feel quite as violating) for the purposes of diplomacy, but if you touch them without giving him a chance to prepare, he'll freak out. He's normally not prone to panic at all, but that's one way to get him very upset very quickly.

He can be a bit obsessive about his interests, namely the intricacies of church dogma, and he's prone to getting just a tiny bit preachy about his beliefs, though he tries to keep a lid on it.

Leish has a Cosmosphere, and he has costumes, too. Unless you're Via, though, good luck getting to see them; he'd never wear them in public, even the tame ones, and he's not up for letting anyone except his partner into his Cosmosphere any time soon. The very fact that he has one is embarrassing, and it's hard for even Via to dive very deep into him just because he has so many reservations about diving itself that even his first level is difficult to clear, though she hopes that by working through his Cosmosphere he'll become more relaxed about the fact that he's a Reyvateil and maybe even be able to fully embrace his magic. His Mind Guardian is Aazzmissaggamoth (a shortened nickname, believe it or not), a small golden dragon statue after the Chinese style.



Ayulsa Shinsekai
"For eternity, a new world."

Species: Virus
Age: Unknown; appears about eight
Height: 4'1"
Appearance: See reference sheet
Magic: No Song Magic, but can interact with the Binary Field
Favourite pastime: Nature hunts
Favourite lullaby: EXEC_HARMONIOUS/.
Favourite food: Cookies 'n' cream icecream (with oatmeal chocolate chip)
Least favourite food: Chicken stew
Greatest frustration: That he can't sing like his mother, even when he tries to copy her


A virus created by Mir, Ayulsa takes a humanoid form in the physical world much as Ayatane does. Specifically, his appearance is that of a young boy with scruffy, brownish-blond hair with lavender tips, wide green eyes, and corrupted Hymmnos sigils running over his skin that glow with a faint blue light; he is typically dressed in brightly-coloured, practical clothing of the sort that might befit a child of seven or eight years old. He considers Ayatane to be his brother, and looks to Mir as a parent figure.

Ayulsa was the first humanoid virus created to aid Mir with her plan to redeem and revitalise the world of Ar Ciel. Remembering her own youth and the boundless love she held for humanity then, she saw the image of a curious, kindly child as best suited for this task, and indeed Ayulsa possesses many of the personality traits his mother had in her childhood: he is gentle and made uneasy by violence, creative and playful though in a manner that is not too boisterous and is mindful of the world around him, and easily awed by the joys and wonders of life.

While Mir tried to craft for him a personality that would make him happy as well as making him of use to her plans, she put no limitations on his development, believing that all intelligent entities have the right to the freedom of mind and emotion they tried to strip from her. As such, he doesn't feel himself beholden to her and will often get distracted from his tasks by his own interests, which Mir allows, not so concerned as she once was with the efficiency of her plan's execution at the cost of the principles she believes in. He still cares for her deeply, though, and by default will be found at her side, engaging in some simple frivolity, reading, or simply observing the world around, ready to be called into her service at a moment's notice.

Despite his docility and guileless playfulness, he possesses the intelligence of an adult, though his emotional responses remain largely those of a child. As a result, on a social and personal level he appears to be young and naive, but can almost seem adult when discussing practical matters, and has a startlingly large vocabulary.

Sunday, 9 November 2008

A pondering on the power of the Word.

Something I was thinking about with regard to spirituality and AT's world: the official timeline (which I'm pretty sure by now is not a spoilery document, as it covers AT1 only, and I don't think these details will be released outside of the timeline) begins with the creation of the first word. It's very Biblical: in the beginning, there was the Word. And, incidentally, that word was "chs": a verb meaning become, turn into, or transform.

"Chs" is actually a more popularly used verb than those meanings would seem to account for in English, given that it seems to mean "become" only in the sense of fundamental change (e.g. "the kind of person I will become"), not in the senses of becoming happy or becoming used to something. This catalysing word, this primary word, this word which suggests that the universe's most divine instrument is its ability to turn one thing into another (which seems to make sense; given that energy can neither be created nor destroyed, the force of movement behind the universe, the thing that causes it not to remain in static state, would seem to be the transformation of energy into different states), seems to be echoed repeatedly in the songs of the world.

Perhaps we could say that the Reyvateils are subconsciously working this vital word into their music just because it is such a strong underlying current within the universe, but I think it's more than even that; I think there's a very obvious reason the word is used a lot. If the divine force of the universe is the capacity for change, then that capacity should be a fundamental part of magic. And indeed, magic, too, is very obviously about change, transformation, becoming. Our obvious image of magic is turning the latent energy in ourselves and in the universe into heat, or light, or growth, or a healing power. There is little in magic that does not involve some manner of change, even if it is the changing of a thing from a state in which it was moving to a state in which it is not (meta-change that seems like the opposite of change, yet also requires one). The Reyvateils are consciously or subconsciously aware that chs is the force behind their magic, and as such they invoke it, and as such their magic is powerful -- and the series creators show that the Reyvateils aren't just making pretty mouth movements, but are actually a species that gets magic quite a bit.

Incidentally, I think it's interesting that in AT's case we get to know what the first word was. In the Bible we get "the Word was God", but does that mean that "God" was the first word (making the first word a self-definition, "I", which is interesting philosophically in itself in that it seems to suggest that the creation of the world is tied up with the defining of the world, and that maybe how we define the world has immense power to affect it), or that God was a word, but we don't know which? Hmm, ponder....

Three-Way Handshake, remastered

Just so's you know, Three-Way Handshake just got a bit of a retool thanks to some extra info I heard regarding Jakuri's drama CD that I really wanted to play around with. Updated version is at the same location, here; if you read it and liked it the first time, you might want to take a look at the revised version.

And yep, I think that's about it.

Saturday, 8 November 2008

Hands on hearts, raise your voices, one and all...

In this time when many Americans are feeling particularly uplifted about the possibilities unfolding in their nation-- and others, noting that social progress has not occurred equality on all fonts, could do with a little more uplifting-- PsychDragoonX from A Reyvateil's Melody has contributed some words that should stir the hearts of even the most jaded American. I bring you... the preamble to the US constitution, and the Pledge of Allegiance, in Hymmnos.


Original:
We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defense, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.

Translation:
EXEC_with.METHOD_HYMME_PREAMBLE_CONSTITUTION_UNITED_STATES/.
Was granme erra walasye oz UNITED STATES
Was granme erra art 0x vvi.
zahha herr dgal
quen quowjaz
gyusya dgal falfa
grandus walasye
grrew WELFARE
grandus arhou oz LIBERTY sos walasye oz iem en futare
1x AAs ixi
Was paks ra quen CONSTITUTION sos UNITED STATES OF AMERICA.

Literally:
To protect the United States with desire,
With the desire to protect,
Create their nation,
Create justice,
Control notional peace,
Protect the people,
Improve Welfare,
Protect the blessings of Liberty for the people of now and the future,
With great excitement, create the Constitution for the United States of America.


Original:
I pledge allegiance to the flag of the United States of America and to the Republic for which it stands: One nation, under God, indivisible, With liberty and justice for all.

Translation:
EXEC_HYMME_PLEDGE_OF_ALLEGIANCE/.
Rrha zweie ra grandus zuieg oz UNITED STATES OF AMERICA
Rrha ki ra en dgal en echrra.
Rrha wol ra 0x vvi
en dgal
en Saash
na pakz
1x AAs ixi
Rrha ki erra LIBERTY en quowjaz en ciel.

Literally:
Entranced, I guard the power of the USA
Concentrating, for the nation that it resonates (stands for)
Enfevored,
For one nation
Under God
Indivisible
Concentrating for Liberty and Justice for all.


I am deeply, deeply amused. I think it's the last lines of each of these that do it.

In other news, seriously thinking of doing a revision on Three-Way Handshake, now that I've discovered a little extra tidbit that was in that scene on the drama CD that I really want to explore, and I think I know just how to drop it in there. If I'd known about this in the first place, it would have so been in the original....